Continuing her long-term exploration of the architectural interior as a genre of photographic investigation, artist Wijnanda Deroo has scoured New York's five boroughs documenting the full spectrum of the city's culinary institutions. Continue →


Featuring an array of photographs taken in New York spanning from the 1940s to the 1970s, David Vestal: Once Upon a Time in New York offers the opportunity to consider this under-appreciated master in greater detail. Continue →


Julie Blackmon's premiere exhibition at Robert Mann Gallery, Line-Up presents a collection of work recalling classic art historical motifs that are recontextualized with narratives inspired by the artist's own frenzied upbringing. Continue →


A second installment of the 2007 summer exhibition Epilogues, Epilogues 2 features recent works by artists that exhibited at Robert Mann Gallery from 2007 to 2010: Holly Andres, Joe Deal, Elijah Gowin, Chip Hooper, and Michael Kenna. Continue →


With his whimsical constructions, Laurent Millet challenges our initial perceptions, applying analogue means to create stunning affects. Developing out of his series Les Zozios, exhibited at Robert Mann Gallery in 2005, the works in The Last Days of Immanuel Kant are ephemeral sculptural tableaux made only to be photographed. Continue →


Following the Kansas-Nebraska Act of 1854 and the subsequent public survey along the Sixth Principal Meridian, the Great Plains was officially opened to development and the surveyor's grid provided the basis for cataloguing the open expanse. Drawing on the remarkable history of 19th century survey photography, Joe Deal's new series of photographs, West and West, serves as a meditation on landscape and history, and their place in the realms of imagination and representation. Continue →


Michael Kenna's sixth solo exhibition at the gallery, Venezia, marks the premiere presentation of Kenna's photographs of Venice, Italy. The exhibition coincides with the publication of Michael Kenna: Venezia, available March 2010 from Nazraeli Press. With photographs spanning nearly 30 years, the exhibition reflects the quintessentially patient, quiet method of looking for which Kenna has become legendary. Continue →